[agfo_tube video=”bigRg_cctw0″ mod=”standart”]<\/p>\n
Bazen ayr\u0131l\u0131k, iki insan aras\u0131ndaki mesafeden daha fazlas\u0131d\u0131r. S\u00f6ylenemeyen s\u00f6zlerde, bitmek bilmeyen gecelerde ve ger\u00e7ekle\u015fmesi giderek zorla\u015fan bir kavu\u015fma \u00fcmidinde ya\u015famaya devam eder. Beste ve s\u00f6zlerini yazd\u0131\u011f\u0131m \u201cKavu\u015fmak Kald\u0131 R\u00fcya\u201d<\/strong>, tam da bu sessiz a\u011f\u0131rl\u0131\u011f\u0131n \u00e7evresinde \u015fekillenen h\u00fcz\u00fcnl\u00fc bir T\u00fcrk m\u00fczi\u011fi eseridir. A\u015fk\u0131 b\u00fcy\u00fck s\u00f6zlerle anlatmak yerine, hasreti i\u00e7ine \u00e7eken bir g\u00f6nl\u00fcn yaln\u0131zl\u0131\u011f\u0131na yakla\u015f\u0131r.<\/p>\n Hasret, sevilen ki\u015finin yoklu\u011funu hissetmekten ibaret de\u011fildir. Hat\u0131ralar\u0131n s\u00fcrekli geri d\u00f6nmesi, zaman\u0131n yava\u015flamas\u0131 ve insan\u0131n g\u00fcnl\u00fck hayat\u0131n i\u00e7inde bile bir bekleyi\u015f ta\u015f\u0131mas\u0131d\u0131r. Bu nedenle hasret \u015fark\u0131lar\u0131 yaln\u0131zca ayr\u0131l\u0131\u011f\u0131 de\u011fil, ayr\u0131l\u0131\u011fa ra\u011fmen s\u00fcren ba\u011f\u0131 da anlat\u0131r.<\/p>\n \u201cKavu\u015fmak Kald\u0131 R\u00fcya\u201d ad\u0131nda yan yana gelen iki duygu vard\u0131r: \u00fcmit ve imk\u00e2ns\u0131zl\u0131k<\/strong>. Kavu\u015fma d\u00fc\u015f\u00fcncesi b\u00fct\u00fcn\u00fcyle kaybolmam\u0131\u015ft\u0131r; fakat art\u0131k ger\u00e7ek hayattan \u00e7ekilip r\u00fcyan\u0131n s\u0131n\u0131rlar\u0131na s\u0131\u011f\u0131nm\u0131\u015ft\u0131r. B\u00f6yle bir kavu\u015fma, insana k\u0131sa s\u00fcreli bir teselli verirken uyand\u0131\u011f\u0131nda yoklu\u011fu daha g\u00f6r\u00fcn\u00fcr h\u00e2le getirir.<\/p>\n Ben bu duyguyu y\u00fcksek sesli bir isyan olarak de\u011fil, insan\u0131n kendi i\u00e7ine s\u00f6yledi\u011fi mahrem bir c\u00fcmle olarak d\u00fc\u015f\u00fcn\u00fcyorum. \u00c7\u00fcnk\u00fc baz\u0131 ayr\u0131l\u0131klar anlat\u0131ld\u0131k\u00e7a hafiflemez. \u0130nsan onlar\u0131 ta\u015f\u0131may\u0131 \u00f6\u011frenir; kelimeler de bu y\u00fck\u00fcn sessiz tan\u0131klar\u0131 olur.<\/p>\n Beklemek \u00e7o\u011fu zaman hareketsiz g\u00f6r\u00fcn\u00fcr. Oysa g\u00f6n\u00fcl i\u00e7in son derece yorucu bir s\u00fcre\u00e7tir. Bir haber ihtimali, ge\u00e7mi\u015ften kalan bir s\u00f6z ya da yeniden kar\u015f\u0131la\u015fma umudu insan\u0131n i\u00e7inde s\u00fcrekli hareket eder. D\u0131\u015far\u0131dan sakin g\u00f6r\u00fcnen ki\u015fi, kendi i\u00e7inde cevaplanmam\u0131\u015f sorularla m\u00fccadele edebilir.<\/p>\n \u0130\u00e7 yang\u0131n\u0131<\/strong> ifadesi bu g\u00f6r\u00fcnmeyen m\u00fccadeleyi anlatmak i\u00e7in g\u00fc\u00e7l\u00fc bir kar\u015f\u0131l\u0131k sunar. Ate\u015f vard\u0131r ama duman\u0131 d\u0131\u015far\u0131 \u00e7\u0131kmaz. Ac\u0131 hissedilir fakat g\u00f6steri\u015fe d\u00f6n\u00fc\u015fmez. T\u00fcrk m\u00fczi\u011finin h\u00fcz\u00fcnl\u00fc anlat\u0131m\u0131nda da bu \u00f6l\u00e7\u00fcl\u00fc tav\u0131r \u00f6nemli bir yere sahiptir: Duygu saklanmaz, ancak ba\u011f\u0131rarak da sunulmaz.<\/p>\n \u201cKavu\u015fmak kald\u0131 r\u00fcya\u201d s\u00f6z\u00fc, bitmi\u015f bir a\u015fk\u0131 de\u011fil; ger\u00e7ekte ya\u015fanamasa bile g\u00f6n\u00fclde s\u00fcrmeye devam eden bir ba\u011f\u0131 d\u00fc\u015f\u00fcnd\u00fcr\u00fcr.<\/p><\/blockquote>\n Bu yakla\u015f\u0131mda \u00e7aresizlik kadar sadakat de bulunur. \u0130nsan bazen ula\u015famayaca\u011f\u0131n\u0131 bildi\u011fi bir sevgiyi i\u00e7inde korumaya devam eder. Unutmak ile beklemek aras\u0131nda kal\u0131r. \u0130\u015fte ayr\u0131l\u0131k \u015fark\u0131lar\u0131n\u0131n dinleyicide g\u00fc\u00e7l\u00fc bir kar\u015f\u0131l\u0131k bulmas\u0131n\u0131n nedenlerinden biri de budur: Herkesin hayat\u0131nda tamamlanmam\u0131\u015f bir c\u00fcmle, yar\u0131m kalm\u0131\u015f bir veda veya gecikmi\u015f bir kavu\u015fma bulunabilir.<\/p>\n \u201cKavu\u015fmak Kald\u0131 R\u00fcya\u201dy\u0131 olu\u015ftururken klasik T\u00fcrk musikisinin zarif tavr\u0131ndan ilham ald\u0131m. Buradaki zarafet, duygunun zay\u0131flat\u0131lmas\u0131 anlam\u0131na gelmez. Tam tersine, yo\u011fun bir hissin \u00f6l\u00e7\u00fcl\u00fc bi\u00e7imde ifade edilmesini sa\u011flar. Kelimenin anlam\u0131, melodinin ta\u015f\u0131d\u0131\u011f\u0131 ruh ve aralar\u0131ndaki denge \u00f6n plana \u00e7\u0131kar.<\/p>\n Klasik T\u00fcrk m\u00fczi\u011fi esintili bir \u015fark\u0131da her ayr\u0131nt\u0131n\u0131n g\u00f6steri\u015fli olmas\u0131 gerekmez. Bazen sade bir ifade, uzun bir a\u00e7\u0131klamadan daha derin iz b\u0131rak\u0131r. Benim i\u00e7in \u00f6nemli olan da hasreti s\u00fcslemek de\u011fil, onun do\u011fal a\u011f\u0131rl\u0131\u011f\u0131n\u0131 korumakt\u0131r. Dinleyicinin \u00f6n\u00fcne kesin bir hik\u00e2ye koymak yerine, kendi hat\u0131ralar\u0131na a\u00e7\u0131labilecek bir duygu alan\u0131 b\u0131rakmak isterim.<\/p>\n Bu tavr\u0131n temel \u00f6zelliklerini \u015f\u00f6yle \u00f6zetleyebilirim:<\/p>\n Eski \u0130stanbul gecesi imgesi, T\u00fcrk m\u00fczi\u011finin duygu d\u00fcnyas\u0131yla kolayca bulu\u015fur. Sessiz sokaklar, uzaktan g\u00f6r\u00fcnen \u0131\u015f\u0131klar, suya d\u00fc\u015fen yans\u0131malar ve gecenin i\u00e7inde b\u00fcy\u00fcyen yaln\u0131zl\u0131k; ayr\u0131l\u0131\u011f\u0131n ruh h\u00e2line g\u00f6rsel bir kar\u015f\u0131l\u0131k verir. Burada \u0130stanbul yaln\u0131zca bir \u015fehir de\u011fil, hat\u0131ralar\u0131 ta\u015f\u0131yan \u015fiirsel bir mek\u00e2nd\u0131r.<\/p>\n Gece, g\u00fcnd\u00fcz bast\u0131r\u0131lan duygular\u0131n yeniden duyuldu\u011fu zamand\u0131r. \u00c7evredeki sesler azald\u0131\u011f\u0131nda insan kendi i\u00e7 sesine daha \u00e7ok yakla\u015f\u0131r. Bekleyi\u015f uzar, ge\u00e7mi\u015f belirginle\u015fir ve s\u00f6ylenmemi\u015f s\u00f6zler yeniden hat\u0131rlan\u0131r. Bu nedenle mahzun bir \u0130stanbul gecesi ile kavu\u015famama duygusu aras\u0131nda do\u011fal bir yak\u0131nl\u0131k vard\u0131r.<\/p>\n Ben bu imgeyi belirli bir semti ya da somut bir olay\u0131 anlatmak i\u00e7in de\u011fil, eserin i\u00e7e d\u00f6n\u00fck atmosferini d\u00fc\u015f\u00fcnmek i\u00e7in kullan\u0131yorum. Her dinleyici kendi gecesini, kendi \u015fehrini ve kendi \u00f6zlemini bu duygunun i\u00e7ine yerle\u015ftirebilir.<\/p>\n R\u00fcyada kavu\u015fmak ilk bak\u0131\u015fta huzur verici g\u00f6r\u00fcn\u00fcr. \u0130nsan ger\u00e7ekte yan\u0131nda olmayan ki\u015fiyi yeniden g\u00f6rebilir, ona yakla\u015fabilir ve yar\u0131m kalm\u0131\u015f bir \u00e2n\u0131 tamamlayabilir. Fakat r\u00fcyan\u0131n sonu uyanmakt\u0131r. Bu y\u00fczden r\u00fcya hem teselli hem de ayr\u0131l\u0131\u011f\u0131n yeniden ya\u015fanmas\u0131d\u0131r.<\/p>\n \u015eark\u0131n\u0131n ad\u0131ndaki g\u00fc\u00e7l\u00fc gerilim buradan do\u011far. Kavu\u015fmak h\u00e2l\u00e2 m\u00fcmk\u00fcnd\u00fcr, ancak yaln\u0131zca ger\u00e7ekli\u011fin d\u0131\u015f\u0131nda. \u00dcmit tamamen s\u00f6nmemi\u015ftir; bi\u00e7im de\u011fi\u015ftirmi\u015ftir. G\u00fcnd\u00fcz\u00fcn kabul etmedi\u011fi ihtimal, gecenin r\u00fcyas\u0131nda k\u0131sa s\u00fcreli\u011fine varl\u0131k kazan\u0131r.<\/p>\n Bu d\u00fc\u015f\u00fcnce bana a\u015fk\u0131n yaln\u0131zca beraber olmakla \u00f6l\u00e7\u00fclemeyece\u011fini hat\u0131rlat\u0131yor. Baz\u0131 sevgiler kavu\u015fmayla tamamlan\u0131rken baz\u0131lar\u0131 hat\u0131rada, \u00f6zlemde ve s\u00f6ylenemeyen s\u00f6zlerde ya\u015famay\u0131 s\u00fcrd\u00fcr\u00fcr. Bu durum ac\u0131y\u0131 romantikle\u015ftirmek de\u011fil, insan\u0131n kay\u0131p kar\u015f\u0131s\u0131ndaki karma\u015f\u0131k h\u00e2lini kabul etmektir.<\/p>\n Bir hasret \u015fark\u0131s\u0131n\u0131n etkisi, ne kadar \u00e7ok \u015fey s\u00f6yledi\u011finden ziyade ne kadar sahici bir duygu b\u0131rakt\u0131\u011f\u0131yla ilgilidir. Ben \u201cKavu\u015fmak Kald\u0131 R\u00fcya\u201dda kelimeyi, melodiyi ve h\u00fczn\u00fc ayn\u0131 i\u00e7 konu\u015fman\u0131n par\u00e7alar\u0131 olarak ele ald\u0131m. Eserin merkezinde ayr\u0131l\u0131\u011f\u0131n g\u00fcr\u00fclt\u00fcs\u00fc de\u011fil, ard\u0131ndan kalan sessizlik bulunuyor.<\/p>\n Dinlerken belirli bir hik\u00e2yeyi takip etmek zorunda de\u011filsiniz. Kendi hayat\u0131n\u0131zda yar\u0131m kalm\u0131\u015f bir veday\u0131, uzakta kalan birini veya zamanla r\u00fcyaya d\u00f6n\u00fc\u015fen bir dile\u011fi d\u00fc\u015f\u00fcnebilirsiniz. \u00c7\u00fcnk\u00fc hasret ki\u015fisel olsa da onun olu\u015fturdu\u011fu bo\u015fluk bir\u00e7ok insan i\u00e7in tan\u0131d\u0131kt\u0131r.<\/p>\n \u201cKavu\u015fmak Kald\u0131 R\u00fcya\u201d<\/strong>, g\u00f6n\u00fclde saklanan \u00f6zlemlere sessizce dokunabilirse benim i\u00e7in anlam\u0131n\u0131 bulmu\u015f olacakt\u0131r. Eserin duygu d\u00fcnyas\u0131na m\u00fczik e\u015fli\u011finde yakla\u015fmak isterseniz videoyu izleyebilir ve kendi hat\u0131ran\u0131z\u0131n sizde uyand\u0131rd\u0131\u011f\u0131 sesi dinleyebilirsiniz.<\/p>\n","protected":false},"excerpt":{"rendered":" \u201cKavu\u015fmak Kald\u0131 R\u00fcya\u201d, a\u015fk\u0131 hasret, bekleyi\u015f ve kavu\u015famama duygular\u0131 \u00fczerinden ele alan h\u00fcz\u00fcnl\u00fc bir T\u00fcrk m\u00fczi\u011fi eseridir. Bu yaz\u0131da eserin duygu d\u00fcnyas\u0131n\u0131 ve klasik T\u00fcrk musikisiyle kurdu\u011fu ba\u011f\u0131 anlat\u0131yorum.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[58,8,59,60,61,16,62],"class_list":["post-68","post","type-post","status-publish","format-standard","hentry","category-muzik","tag-ayrilik-sarkisi","tag-cemal-gurkan-kara","tag-duygusal-sarki","tag-hasret-sarkisi","tag-kavusmak-kaldi-ruya","tag-klasik-turk-muzigi","tag-turk-muzigi"],"_links":{"self":[{"href":"https:\/\/agfocert.net\/index.php?rest_route=\/wp\/v2\/posts\/68","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agfocert.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agfocert.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agfocert.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/agfocert.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=68"}],"version-history":[{"count":0,"href":"https:\/\/agfocert.net\/index.php?rest_route=\/wp\/v2\/posts\/68\/revisions"}],"wp:attachment":[{"href":"https:\/\/agfocert.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=68"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agfocert.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=68"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agfocert.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=68"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Hasretin \u0130\u00e7inde B\u00fcy\u00fcyen Bir A\u015fk<\/h2>\n
Bekleyi\u015f ve \u0130\u00e7 Yang\u0131n\u0131<\/h2>\n
Klasik T\u00fcrk Musikisinin Zarif Tavr\u0131<\/h2>\n
\n
Eski \u0130stanbul Gecelerinin Mahzunlu\u011fu<\/h2>\n
R\u00fcya Bir Teselli mi, Yoksa Yeni Bir Ayr\u0131l\u0131k m\u0131?<\/h2>\n
Sade Bir Duygunun Pe\u015finde<\/h2>\n