{"id":62,"date":"2026-07-31T01:17:17","date_gmt":"2026-07-30T22:17:17","guid":{"rendered":"https:\/\/agfocert.net\/?p=62"},"modified":"2026-07-31T01:17:17","modified_gmt":"2026-07-30T22:17:17","slug":"istanbul-aksaminda-hasretin-makamla-bulusmasi","status":"publish","type":"post","link":"https:\/\/agfocert.net\/?p=62","title":{"rendered":"\u0130stanbul Ak\u015fam\u0131nda: Hasretin Makamla Bulu\u015fmas\u0131"},"content":{"rendered":"

[agfo_tube video=”tzMlsBH0_Yg” mod=”standart”]<\/p>\n

Baz\u0131 \u015fehirler yaln\u0131zca sokaklar\u0131yla de\u011fil, insan\u0131n i\u00e7inde b\u0131rakt\u0131\u011f\u0131 sesle de ya\u015far. \u0130stanbul benim i\u00e7in tam olarak b\u00f6yle bir \u015fehir. Ak\u015fam \u00e7\u00f6kerken de\u011fi\u015fen rengi, k\u0131y\u0131larda beliren sessizlik ve kalabal\u0131\u011f\u0131n ortas\u0131nda hissedilen yaln\u0131zl\u0131k, bir \u015fark\u0131n\u0131n ta\u015f\u0131yabilece\u011fi kadar yo\u011fun duygular bar\u0131nd\u0131r\u0131r. \u0130stanbul Ak\u015fam\u0131nda<\/strong> adl\u0131 eserimi de \u015fehrin bu h\u00e2li ile hasretin i\u00e7li s\u0131z\u0131s\u0131n\u0131 ayn\u0131 duygu \u00e7izgisinde bulu\u015fturmak i\u00e7in yazd\u0131m.<\/p>\n

Bir \u015fehirden daha fazlas\u0131 olarak \u0130stanbul<\/h2>\n

\u0130stanbul, bu eserde yaln\u0131zca olaylar\u0131n ge\u00e7ti\u011fi bir yer de\u011fildir. \u015eehir, hat\u0131rlaman\u0131n ve \u00f6zlemenin par\u00e7as\u0131na d\u00f6n\u00fc\u015f\u00fcr. Ak\u015fam\u0131n rengi de\u011fi\u015ftik\u00e7e insan\u0131n i\u00e7 d\u00fcnyas\u0131 da ba\u015fka bir tona b\u00fcr\u00fcn\u00fcr. G\u00fcnd\u00fcz\u00fcn hareketi geride kal\u0131rken s\u00f6ylenemeyen s\u00f6zler, unutulamayan bak\u0131\u015flar ve ertelenmi\u015f \u00e7a\u011fr\u0131lar daha belirgin h\u00e2le gelir.<\/p>\n

\u015eark\u0131n\u0131n merkezinde, g\u00f6n\u00fclde iz b\u0131rakan bir ki\u015finin yoklu\u011funa ra\u011fmen s\u00fcren varl\u0131\u011f\u0131 bulunur. Bazen bir insan yan\u0131m\u0131zda de\u011fildir ama ad\u0131, sesi ya da bak\u0131\u015f\u0131 bulundu\u011fumuz yere siner. \u0130stanbul ak\u015fam\u0131 bu hat\u0131rlay\u0131\u015f i\u00e7in do\u011fal bir zemin olu\u015fturur. \u015eehrin g\u00f6r\u00fcnt\u00fcs\u00fc ile ki\u015fisel bir \u00f6zlem birbirine kar\u0131\u015f\u0131r; d\u0131\u015far\u0131daki manzara, i\u00e7eride ya\u015fanan duygunun aynas\u0131na d\u00f6n\u00fc\u015f\u00fcr.<\/p>\n

Hasret, sessizlik ve yar\u0131m kalan s\u00f6zler<\/h2>\n

Eserin s\u00f6zlerini kurarken b\u00fcy\u00fck ve g\u00f6steri\u015fli ifadelerden \u00e7ok, i\u00e7e d\u00f6n\u00fck bir anlat\u0131m\u0131 tercih ettim. \u00c7\u00fcnk\u00fc hasret her zaman hayk\u0131rarak ya\u015fanmaz. Kimi zaman insan s\u00f6ylemek istedi\u011fini tamamlayamaz, \u00e7a\u011fr\u0131s\u0131n\u0131n duyulup duyulmayaca\u011f\u0131n\u0131 bilemez ve kendi h\u00e2liyle ba\u015f ba\u015fa kal\u0131r. Bu sessizlik, duygunun eksikli\u011fi de\u011fil; aksine onun en yo\u011fun bi\u00e7imlerinden biridir.<\/p>\n

\u015eark\u0131daki k\u0131r\u0131lgan anlat\u0131m\u0131n temelinde de bu yakla\u015f\u0131m yer al\u0131yor. G\u00f6n\u00fcl k\u0131y\u0131s\u0131na d\u00fc\u015fen bir bak\u0131\u015f, ruhun \u00fczerine inen mor bir ak\u015fam ve usulca ilerleyen gece ayn\u0131 duygusal d\u00fcnyay\u0131 besliyor. Buradaki ak\u015fam sadece g\u00fcn\u00fcn bir vakti de\u011fil; bekleyi\u015fi, belirsizli\u011fi ve i\u00e7ten i\u00e7e b\u00fcy\u00fcyen \u00f6zlemi temsil eden bir imge.<\/p>\n

\u0130stanbul ak\u015fam\u0131, d\u0131\u015far\u0131daki \u0131\u015f\u0131k azal\u0131rken insan\u0131n i\u00e7inde saklad\u0131\u011f\u0131 duygular\u0131n g\u00f6r\u00fcn\u00fcr oldu\u011fu bir e\u015fik gibidir.<\/p><\/blockquote>\n

Tekrarlanan \u0130stanbul ak\u015fam\u0131nda<\/em> ifadesi ise \u015fark\u0131n\u0131n duygusal oda\u011f\u0131n\u0131 koruyor. Her d\u00f6n\u00fc\u015fte ayn\u0131 yere gelinse de duygu b\u00fct\u00fcn\u00fcyle ayn\u0131 kalm\u0131yor. Birinde hat\u0131rlama, di\u011ferinde yanma; birinde sessiz kabulleni\u015f, di\u011ferinde duyulma iste\u011fi \u00f6ne \u00e7\u0131k\u0131yor.<\/p>\n

K\u00fcrdili Hicazk\u00e2r makam\u0131n\u0131 se\u00e7memin anlam\u0131<\/h2>\n

\u0130stanbul Ak\u015fam\u0131nda\u2019y\u0131 K\u00fcrdili Hicazk\u00e2r makam\u0131nda<\/strong> besteledim. Makam tercihi benim i\u00e7in yaln\u0131zca teknik bir karar de\u011fildir. Bir eserin kelimeleri kadar, o kelimelerin hangi melodik iklimde s\u00f6ylendi\u011fi de anlat\u0131m\u0131 belirler. K\u00fcrdili Hicazk\u00e2r\u0131n kendine \u00f6zg\u00fc rengi ve y\u00fcr\u00fcy\u00fc\u015f\u00fc, \u015fark\u0131n\u0131n h\u00fcz\u00fcnl\u00fc fakat \u00f6l\u00e7\u00fcl\u00fc d\u00fcnyas\u0131yla \u00f6rt\u00fc\u015f\u00fcyor.<\/p>\n

T\u00fcrk sanat m\u00fczi\u011finde makam, melodinin geli\u015fimini \u015fekillendiren temel unsurlardan biridir. Ancak makam\u0131 yaln\u0131zca kurallar\u0131n toplam\u0131 olarak g\u00f6rm\u00fcyorum. Her makam, besteciye farkl\u0131 bir ifade alan\u0131 a\u00e7ar. Ayn\u0131 s\u00f6zler ba\u015fka bir makamda farkl\u0131 bir a\u011f\u0131rl\u0131k, y\u00f6nelim ya da duygu kazanabilir. Bu nedenle beste s\u00fcrecinde \u015fiir ile makam duygusunun birbirini ta\u015f\u0131mas\u0131na \u00f6zellikle \u00f6nem veriyorum.<\/p>\n

Bu eserde arad\u0131\u011f\u0131m \u015fey, h\u00fczn\u00fc abartmadan hissettirebilen bir melodik anlat\u0131md\u0131. Hasretin a\u011f\u0131rl\u0131\u011f\u0131 duyulmal\u0131, fakat \u015fark\u0131 b\u00fct\u00fcn\u00fcyle karanl\u0131\u011fa kapanmamal\u0131yd\u0131. \u0130stanbul\u2019un ak\u015fam rengi gibi hem g\u00f6lgeli hem de zarif bir atmosfer kurmak istedim. Makam\u0131n sundu\u011fu ifade imk\u00e2n\u0131, s\u00f6zlerdeki sessiz niyaz\u0131 ve k\u0131r\u0131k sesi melodik bir b\u00fct\u00fcnl\u00fc\u011fe ta\u015f\u0131mama yard\u0131mc\u0131 oldu.<\/p>\n

S\u00f6z ile melodinin birlikte do\u011fmas\u0131<\/h2>\n

\u015eark\u0131n\u0131n s\u00f6zleri ve bestesi bana aittir. Benim i\u00e7in beste yapmak, \u00f6nceden tamamlanm\u0131\u015f kelimelerin \u00fczerine herhangi bir melodi yerle\u015ftirmek anlam\u0131na gelmiyor. S\u00f6zc\u00fcklerin ritmi, hecelerin a\u011f\u0131rl\u0131\u011f\u0131 ve c\u00fcmlelerin nefes ald\u0131\u011f\u0131 noktalar melodinin y\u00f6n\u00fcn\u00fc etkiliyor. Ayn\u0131 \u015fekilde melodide olu\u015fan bir k\u0131vr\u0131m da bazen s\u00f6z\u00fcn yeniden bi\u00e7imlenmesini gerektiriyor.<\/p>\n

\u0130stanbul Ak\u015fam\u0131nda\u2019da k\u0131sa, ak\u0131lda kalan ve tekrar edilebilen bir ana c\u00fcmle etraf\u0131nda ilerlemeyi se\u00e7tim. B\u00f6yle bir yap\u0131, dinleyicinin eserin temel hissine yeniden d\u00f6nmesini sa\u011fl\u0131yor. K\u0131talar \u00f6zlemin farkl\u0131 y\u00fczlerini a\u00e7arken ana ifade hepsini \u0130stanbul\u2019un ak\u015fam\u0131nda bir araya getiriyor.<\/p>\n

Eserin duygu d\u00fcnyas\u0131n\u0131 olu\u015fturan unsurlar<\/h3>\n
    \n
  • Ak\u015fam:<\/strong> G\u00fcnd\u00fczden geceye ge\u00e7i\u015fi ve i\u00e7e d\u00f6n\u00fc\u015f\u00fc temsil ediyor.<\/li>\n
  • \u0130stanbul:<\/strong> Hat\u0131ran\u0131n, \u00f6zlemin ve \u015fehirle kurulan ki\u015fisel ba\u011f\u0131n ta\u015f\u0131y\u0131c\u0131s\u0131 oluyor.<\/li>\n
  • Bak\u0131\u015f:<\/strong> K\u0131sa bir an\u0131n insan\u0131n i\u00e7inde kal\u0131c\u0131 iz b\u0131rakabilece\u011fini anlat\u0131yor.<\/li>\n
  • Sessizlik:<\/strong> S\u00f6ylenemeyen s\u00f6zleri ve kar\u015f\u0131l\u0131k bulup bulmayaca\u011f\u0131 bilinmeyen \u00e7a\u011fr\u0131y\u0131 g\u00fc\u00e7lendiriyor.<\/li>\n
  • Nefes ve ses:<\/strong> Sevilen ki\u015fiye ula\u015fma arzusunu, k\u0131r\u0131lgan bir s\u00f6yleyi\u015fle g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor.<\/li>\n<\/ul>\n

    Yapay zek\u00e2 bir ara\u00e7, eserin kayna\u011f\u0131 de\u011fil<\/h2>\n

    Bu \u00e7al\u0131\u015fman\u0131n seslendirilmesi ve dinleyiciye ula\u015ft\u0131r\u0131lmas\u0131 s\u00fcrecinde Suno adl\u0131 yapay zek\u00e2 arac\u0131ndan yararland\u0131m. Burada benim i\u00e7in \u00f6nemli olan ayr\u0131m a\u00e7\u0131k: Eserin s\u00f6zleri, melodik yap\u0131s\u0131 ve bestecilik karar\u0131 bana aittir; yapay zek\u00e2 ise \u00fcretimin belirli bir a\u015famas\u0131nda kullan\u0131lan yard\u0131mc\u0131 ara\u00e7t\u0131r.<\/p>\n

    Yeni teknolojiler m\u00fczi\u011fin sunulu\u015f bi\u00e7imini de\u011fi\u015ftirebilir. Bununla birlikte bir eserin kimli\u011fini belirleyen yarat\u0131c\u0131 tercihler \u00f6nemini korur. Hangi duygunun anlat\u0131laca\u011f\u0131, s\u00f6zlerin nas\u0131l kurulaca\u011f\u0131, makam\u0131n hangi karakterle ele al\u0131naca\u011f\u0131 ve melodinin nas\u0131l ilerleyece\u011fi bestecinin sanat anlay\u0131\u015f\u0131yla ilgilidir. Ben teknolojiyi bu yarat\u0131c\u0131 sorumlulu\u011fun yerine ge\u00e7en bir unsur olarak de\u011fil, eseri i\u015fitilebilir h\u00e2le getiren imk\u00e2nlardan biri olarak de\u011ferlendiriyorum.<\/p>\n

    Bu yakla\u015f\u0131mda \u015feffafl\u0131\u011f\u0131 da \u00f6nemsiyorum. Dinleyicinin eserin hangi y\u00f6nlerinin bana ait oldu\u011funu ve hangi a\u015famada teknolojik destek kullan\u0131ld\u0131\u011f\u0131n\u0131 bilmesi gerekti\u011fine inan\u0131yorum. Ara\u00e7lar de\u011fi\u015febilir; fakat s\u00f6z\u00fcn ve m\u00fczi\u011fin arkas\u0131nda durmak, benim a\u00e7\u0131mdan de\u011fi\u015fmeyen temel \u00f6l\u00e7\u00fcd\u00fcr.<\/p>\n

    \u0130stanbul ak\u015fam\u0131na b\u0131rak\u0131lan bir \u015fark\u0131<\/h2>\n

    \u0130stanbul Ak\u015fam\u0131nda, bir bak\u0131\u015f\u0131n ard\u0131ndan kalan sessizli\u011fi ve hasretin gecenin i\u00e7ine yay\u0131lan h\u00e2lini anlatan bir T\u00fcrk sanat m\u00fczi\u011fi eseridir. Ben bu \u015fark\u0131da \u015fehri dekor olarak de\u011fil, duygunun ortaklar\u0131ndan biri olarak ele ald\u0131m. \u0130stanbul\u2019un ak\u015fam\u0131 ile insan\u0131n i\u00e7indeki bekleyi\u015f ayn\u0131 renkte bulu\u015ftu.<\/p>\n

    Siz de s\u00f6z, makam ve \u015fehir duygusunun nas\u0131l bir araya geldi\u011fini i\u015fitmek isterseniz \u0130stanbul Ak\u015fam\u0131nda\u2019y\u0131 videodan dinleyebilirsiniz.<\/p>\n","protected":false},"excerpt":{"rendered":"

    \u0130stanbul\u2019un ak\u015fam rengiyle hasret duygusunu bulu\u015fturan \u0130stanbul Ak\u015fam\u0131nda, K\u00fcrdili Hicazk\u00e2r makam\u0131nda yazd\u0131\u011f\u0131m bir T\u00fcrk sanat m\u00fczi\u011fi eseridir.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[8,25,26,27,13,28],"class_list":["post-62","post","type-post","status-publish","format-standard","hentry","category-muzik","tag-cemal-gurkan-kara","tag-istanbul-aksaminda","tag-istanbul-sarkilari","tag-kurdili-hicazkar","tag-turk-sanat-muzigi","tag-yapay-zeka-ve-muzik"],"_links":{"self":[{"href":"https:\/\/agfocert.net\/index.php?rest_route=\/wp\/v2\/posts\/62","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agfocert.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agfocert.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agfocert.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/agfocert.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=62"}],"version-history":[{"count":0,"href":"https:\/\/agfocert.net\/index.php?rest_route=\/wp\/v2\/posts\/62\/revisions"}],"wp:attachment":[{"href":"https:\/\/agfocert.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=62"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agfocert.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=62"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agfocert.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=62"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}